In Thai with English and Chinese Subtitles
Genre: Action/Adventure
Director: Kongkait Komesiri
Cast: Akara Amarttayakul, Sonthaya Chitmanee,
Don Ferguson, Saengthong Gate-Uthong, Prawit Kittichantheera,
Phreeta Kongpetch, Samart Payakarun, Thawatchai Phanpakdee
Runtime:
Released By: Cathay-Keris Films
Rating: M18
Official Website: http://www.muaythaichaiyathemovie.com/
Opening Day: 1 November 2007
Synopsis:
Pow grew up to become a great fighter in a small town fighting
camp. Muay ChaiYa is his
pride but not appreciated by everyone around him, except his
closest friends, Piek and
Samaw. One day, his long-lost father returns and trains the
trio as the last group of fighters
to take on the best.
Movie Review:
Muay Thai, or Thai Kickboxing is known for its rather violent
nature given its hard hitting techniques to defeat opponents.
Best known for promoting the martial arts in the region lately
will be the stylized movies starring Tony Jaa in Ong Bak and
Tom Yum Goong, where we see how Jaa dispatches opponents with
ease, and suffering nary a scratch of injury.
Muay
Thai Chaiya is the latest offering from Thai cinema that puts
the martial arts in the forefront of the story. As the story
goes, we are introduced to a variation of the Muay Thai art
known as "Muay Thai Chaiya" (hence the title), where
seemingly defensive moves and techniques have hidden offensive
powers and attributes. Practioners seem to be taking in more
blows than to dish out pain, but are actually waiting for
the right moments for counter-attacks. There are some fanciful
names with animal motifs as well, but through cursory mention,
those names hardly stick.
What
I thought was a stark departure when you have martial arts
movies, is that Muay Thai Chaiya seemed to have dwelled on
the negative aspects of the sport for the most parts. It doesn't
contain the usual route of a hero undergoing tough training
to become one of
the best, meeting adversary and then overcoming it through
transformation of character or attitude. It actually allowed
for the characters here to journey to the dark side, what
with drugs abuse, non-sportsmanship like behaviour in throwing
matches, and something which seem to have plagued most sports
in general, the punters and the shady underworld of
sports betting, with undertable payoffs, and gangland
politicking coupled with mob hits ordered in the
unofficial bouts.
It's
a mixed bag in its approach, that it couldn't decide what
it wants to be, whether it wants to
showcase and allow audiences to appreciate the distinct fighting
moves, or to concentrate on sports corruption and become a
typical Hong Kong triads movie, which it couldn't. What it
did right however, was to contrast both the orthodox championship,
against the rough and tumble of the underground
matches, where sticking to form yields little returns,
and the art form becomes a bastardized version of
itself in a fight for survival.
The
storyline too is pretty weak, with content very
similarly weaved to the tune of Blood Brothers where
three friends Piak (Akara Amarttayakul), Samor
(Sonthaya Chitmanee) and Pao (Thawatchai Phanpakdee)
decide to leave their country life for the lure of the
bright lights in the big city in their quest for fame
and fortune. Having a romance that's a template
straight out of Michael Bay's Pearl Harbor thrown in
("Hello, Nurse Sriprai", played by Phreeta Kongpetch)
doesn't help a bit too. There are just too many minor
characters that don't really further the plot, like
the bargirl (played by the Saengthong Gate-Uthong last
seen in Wisit Sasanatieng's Citizen Dog), and its
unfocused subplots had long overstayed their welcome
in taking too long to be resolved, stretching the
runtime to close to two hours unnecessarily. Suffering
from the erratic pacing were key revelations that were
tossed into the fray late into the movie, and by then,
it doesn't make much of a difference as they couldn't
add depth to the plot or to elicit emotions other than
indifference from the audience.
With
a very macho ring to its title, the end result was quite disapointing
with its whimper like finish instead of delivering a signature
killer move. It had that potential actually during its violent
crescendo, but became dragged down too much by the albatross
of melodramatic moments instead of keeping it short, sharp
and tight.
Movie Rating:
(Unlike its martial arts philosophy, the movie's appeal comes
too little too late.)
Review by Stefan Shih
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