Genre:
Stop Motion Animation
Director: Tim Burton
Starring (Voice Talents of): Johnny Depp,
Helena Bonham-Carter, Emily Watson
RunTime: 1 hr 16 mins
Released By: Warner Bros
Rating: PG
Release
Date: 29 September 2005
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Synopsis:
Set in a 19th century European village, this stop-motion,
animated feature follows the story of Victor (voiced by JOHNNY
DEPP), a young man who is whisked away to the underworld and
wed to a mysterious Corpse Bride (voiced by HELENA BONHAM-CARTER),
while his real bride, Victoria (voiced by EMILY WATSON), waits
bereft in the land of the living. Though life in the Land
of the Dead proves to be a lot more colorful than his strict
Victorian upbringing, Victor learns that there is nothing
in this world, or the next, that can keep him away from his
one true love. It’s a tale of optimism, romance and
a very lively afterlife, told in classic Tim Burton style.
Movie
Review:
Tim
Burton’s “Corpse Bride” is about the shy
and soft-spoken Victor Van Dort, who while practicing his
vows in the woods unwittingly marries a, well, corpse bride
when he places the ring on her twig-like finger. The deceased
heroine is Emily, voiced by Helena Bonham Carter; Victor features
the voice talent of Johnny Depp. Emily Watson lends voice
to Victor’s living fiancée Victoria (how convenient)
Everglot, the beautiful daughter of fallen aristocrats.
Victor
and Victoria have never met but inexplicably feel affection
towards the other when they finally do. Their love is sweet
but not fairy-tale-nauseating (this, after all, is Tim Burton
we’re talking about) and this may sound strange, but
the two characters seem to share a genuine chemistry. Rather,
they seem to share a chemistry that transcends the animation,
something that seems larger than life, if you will. Perhaps
it is the stop-motion animation, or Danny Elfman’s elegant
score that contributes to this effect, a surreal effect that
I can’t quite put a finger on. The grotesque shapes
that the living and dead take on in “Corpse Bride”
are such extreme caricatures that it seems hardly possible
for them to feel realistic, yet they do, and charmingly at
that.
What goes
on for the rest of this movie leaves little to the imagination:
Victor and Emily seem to be gradually appreciating conjugal
bliss, Victoria is soon to be married off to a villainous
third party (Richard E. Grant voicing character of Barkis
Bittern), the would-be Van Dorts pine for each other, so on
and so forth. There’s none of the wonderful meandering
as in “Big Fish” or the vibrant adventure that
was “Charlie and the Chocolate Factory”; “Corpse
Bride” is simple and short, and good for it. It would
have been rather a pain, for audiences and animators alike,
to have the movie stretch out to a more commercial 100 minutes.
The
dark, drab hues of the land of the living finely juxtapose
the riotous colours of the netherworld, which unlike the former
is richly infused with song, dance and presumably, happiness.
Consequently, the movie is hardly eerie but indeed rather
child-friendly in unexpected ways (nope, no purple dinosaurs
or the like) such as the featuring of Victor’s now skeletal
dog, Scraps. The slightly horrifying sight of a dog of bones
might be initially disturbing but Scraps is delightful and
dapper anyway, and perhaps even more endearing in its fur-less-ness.
Besides, what better way to comfort and/or convince children
of animal heaven?
As for
the adults, pickings are slightly slimmer. The movie ekes
out many good laughs and is wry with silly puns (which arguably
still require a good ear to seek out) but some may just find
it too simplistic for their tastes. Yet, why not? After all,
simplicity is highly underrated, all the more so in blockbuster-rife
Hollywood.
With
“Corpse Bride”, Tim Burton has achieved yet another
glowing addition to his increasingly idiosyncratic and illustrious
resume. What I like most about this movie is the stop-motion
animation, which is one of a kind and breath taking in its
bizarre way. Perhaps one of his more revealing productions
yet, Burton’s love for the gothic and quirky and the
eternal ‘outsiders’ (think Edward Scissorhands,
Willy Wonka, the community of the dead as well as Victor Van
Dort et cetera) are most ingeniously melded into “Corpse
Bride”, making it a gem; so strange, so beautiful, so
Burton-esque, in all its glory.
Movie
Rating:
(Two
words – “Tim Burton”. You don’t go
much wrong with that!)
Review
by Angeline Chui
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