Genre:
Biography/Drama
Director: Bennett Miller
Cast: Philip Seymour Hoffman, Catherine Keener,
Clifton Collins Jr, Mark Pellegrino, Chris Cooper, Bruce Greenwood,
Bob Balaban, Amy Ryan
RunTime: 1 hr 55 mins
Released By: Columbia TriStar
Rating: NC-16
Official Website: http:/www.sonyclassics.com
Opening
Day: 23 Feb 2006
Synopsis:
When the murder of a family in Kansas captures the
interest of celebrated writer Truman Capote, he travels to
their small hometown to research what will become his best-known
book. As the details of the crime unfold and the two killers
are captured and tried, Capote's involvement with the case
becomes both morally ambivalent and deeply personal.
Movie
Review:
We've
seen plenty of Hollywood bio-pics in the last 2 years like
The Aviator, Ray, Walk the Line, and now Capote. Biographies
make compelling storytelling, especially if the person in
question has a flamboyant lifestyle, or have lived a life
more than ordinary, triumphantly overcoming personal struggles.
Perhaps
that's what stereotyped the expectations of such movies, and
it does make you pay attention when they become major award
nominees or winners. Unfortunately, while Capote boasts Academy
Award nominations (at this time of writing), the material
presented was nothing to shout about. Again, expectations
skew your thoughts towards having at least an extended time
frame to cover the life of the person. Capote the film takes
a look at the years it took for one of America's greatest
writers, Truman Capote, to develop his last completed novel,
In Cold
Blood.
Through
the book, Truman Capote (Philip Seymour Hoffman) found a new
genre in which to challenge himself with, and that's the "non-fiction
novel". The brutal murder of a family in 1959 made him
take notice and to base his book upon. He embarks on a quest
to research for material extensively, with his numerous road
trips with fellow writer Harper Lee (author of To Kill A Mockingbird,
played by Catherine Keener) to interview everyone connected
with the killings, from the police to the citizens of the
town. He leaves no stone unturned, and even opens the caskets
of the victims, trying to make sense of the brutality of it
all.
However,
in order to delve more into the psyche of the murderers, Capote
befriends one of them, Perry Smith (an commendable performance
by Clifton Collins Jr), and tries hard to coax him into telling
what exactly happened that faithful night. Much of the second
half of the movie tries to play the two characters off each
other, and it's a tad interesting to see how Capote manipulates
and lies without batting an eyelid. However, much can be said
about who's actually pulling the strings to get the upper
hand.
Give
Seymour his Oscar. His performance as Capote is brilliant,
and on his acting alone, he's able to shoulder the weight
of the entire movie, nevermind the very bland narrative. You
can feel through Seymour, what Capote must have felt in his
dealings for his research, and how he actively seeks to have
things go his way. Catherine Keener, on the other hand, doesn't
shine much as Harper Lee, a supporting character, but a rather
ordinary role with little screen time except to light some
cigarettes. A very under-developed role, and didn't live up
to the greatness of that literary name.
Maybe
it's so that she'll not steal the thunder from the protagonist,
though I won't find it surprising that local audiences might
be more familiar with Harper Lee than with Truman Capote,
even though the latter wrote the novel Breakfast at Tiffany's
which the Audrey Hepburn movie was based upon. The pacing
of Capote is even and flat through most parts, and it is only
near the end do things start to pick up with revelations and
closure that might make the audience sit up, especially the
bit on capital punishment which has always found a sore spot
in local debates.
In
short, you'd give this film a watch to see what the fuss is
about with Seymour's performance. Sit through the movie with
this expectation, you'll turn out all right and satisfied.
If you're expecting this movie to have the usual Hollywood
feel to biographic dramas, then you might end up being a little
short-changed.
Movie
Rating:
(Philip
Seymour Hoffman shines as Truman Capote in an ordinary biopic
of one of America's
greatest writers)
Review
by Stefan Shih
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