Stephen
Chow may be Hong Kong’s self-proclaimed “King
of Comedy” after the 1999 hit movie of the same
name, but it is actor/writer/producer/director Jeff
Lau that truly deserves the honour. If that name doesn’t
ring a bell, think “All for the Winner”,
“92 Legendary La Rose Noire” and “A
Chinese Odyssey”- yes, Jeff Lau was writer and
director of those Hong Kong classic comedies.
This
year, Jeff Lau has set his sights on John Woo’s
seminal blockbuster “Red Cliff” and done
what he does best- spoof it. “Just Another Pandora’s
Box” is Lau’s take on the Three Kingdoms
and besides Zhou Yu, Zhuge Liang and Cao Cao, Lau will
also transport a cornucopia of characters from numerous
other films to the Red Cliff with Pandora’s Box.
“It’s in the same vein as ‘The Eagle
Shooting Heroes’ (1993),” Lau said in a
recent interview with TimeOut Hong Kong. “It’s
a relentless comedy with a huge cast going ‘he-he-ha-ha’.”
That huge cast includes Ronald Cheng, Gigi Leung, Betty
Sun, Athena Chu and Eric Tsang, coupled with star-studded
cameos by Ada Choi, Yuen Wah, Yuen Qiu, Wu Jing, Alex
Fong, Fan Siu Wong, Gillian Chung, and Lam Tze Chung
among others.
Since his screenwriting and directing debut in “The
Haunted Cop Shop” (1987), Lau has carved an indelible
mark on
the Hong Kong film industry with his unique brand of
comedy. “Cop Shop” and its sequel combined
horror and comedy with genuinely likeable stars Jacky
Cheung and Ricky Hui (one-third of the famed Hui brothers)
to rib-tickling effect, and opened the doors for his
collaboration with Corey Yuen for what was a career-changing
box-office hit.
“All for the Winner” (1990) became the highest-grossing
film in Hong Kong of its time and established Stephen
Chow as the biggest box-office star of the 90s. Lau
and Stephen Chow would continue their successful partnership
on movies such as “Fist of Fury 1991” (1991),
“A Chinese Odyssey” (1995) and “Kung
Fu Hustle” (2004) (Lau was assistant director
and producer). Lau himself would compare his relationship
with Stephen Chow as mother-and-son in an interview
with HK Magazine last year. “I’m the mom,
of course. He is a naughty child, but he’s not
a bad person.”
If
the collaboration between Lau and Chow was an intuitive
one, then that between Lau and auteur Wong Kar-Wai would
be the opposite. Yes, we are talking about the Wong
Kar-Wai of “Ashes of Time”, “Chungking
Express”, “In the Mood for Love” and
other post-modern classics. “Cop Shop” was
the beginning of their notable collaborations, which
Wong co-wrote and produced. Their followup would be
“The Eagle Shooting Heroes” five years later,
with Wong on board as producer.
How that came about was also just as interesting as
the movie. “There’s a dude, called Wong
Kar-wai, who’s struggling to wrap up his film
‘Ashes of Time’,” Jeff Lau laughed.
“So I shot [The Eagle Shooting Heroes] quickly
to save his ass, by fulfilling his film contract scheduled
for the Chinese New Year period.” Believe it or
not, Lau said of ‘Ashes of Time’: “Its
story wasn’t so sappy and depressing at the beginning.
But as the years went by, it became the film you see
today.”
Lau
and Wong would also go on to poke fun of their earlier
films with “Chinese Odyssey 2002” (2002),
one of the rare commercial movies from Wong’s
Jet Tone Studios starring Wong regular Tony Leung and
Faye Wong. Thanks to Lau, Wong proved to have a funnybone
capable of slapstick and potty humour in between his
often serious and sombre works of art. How Lau found
his calling as the king of Hong Kong comedy wasn’t
exactly immediate.
Instead, Jeff Lau began his career in advertising. There
he found he hated both drawing and coming up with artistic
ideas, so he quit after only half a year. Lau then became
a banker and was put in charge of movie investments-
which only made him realise he was no good at running
a business. One good thing did come out of his banking
stint- it opened his eyes to the movie industry and
how he was much better suited for creative efforts.
“Being a director is easy,” Lau said. “You
don’t have to be handsome. All you need is a brain
with ideas, and you have to talk a lot.” This
coming from a person who describes his directorial style
as “an irrational director making very rational
movies” and finds it amusing that “for someone
as weird as me, there’re rational people out there
who come to see my movies!”
Of
course, it is also precisely because of his idiosyncrasies
that his movies have proved so entertaining, patenting
over the years through movies such as “All for
the Winner”, “A Chinese Odyssey” and
“Kung Fu Hustle” a distinctive brand of
comedy that has cemented his position as Hong Kong’s
unofficial “King of Comedy”. Yes, if anything,
we can guarantee “Just Another Pandora’s
Box” will not be just another run-of-the-mill
comedy.
Just
Another Pandora's Box opens in cinemas 18 March 2010
OTHER
FEATURES IN THE HK DIRECTORS' SPOTLIGHT SERIES:
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Deconstructing Johnny To
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